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Lassaters Shop Online VideoThe Mystery of Lasseter's Reef - Warren Brown
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Home Franchises FREE Advice Latest Additions Updated Recently Top Franchises Franchise News Contact. First Name:. Last Name:. No maps showing the location of the fabled gold reef were ever found, and over subsequent decades the tale of the reef and its discoverer has assumed mythic proportions; it is perhaps the most famous lost mine legend in Australia, and remains a "holy grail" among Australian prospectors.
Popular adventure-story author Ion Idriess , in his book Lasseter's Last Ride , gives a detailed description of Lasseter's time with the Aborigines.
They had shunned Lasseter after their Kurdaitcha man "pointed the bone at him" — he was condemned to be ignored and no longer cared for. Another story is told in Pintupi-Luritja language and English in Laatjatanya Yanutja,  available in the Living Archive of Aboriginal Languages.
Lasseter's Reef became a famous Australian folk tale. It inspired a sub-plot in the film, Strike Me Lucky , and Lasseter's fate was recreated in the movie Phantom Gold In , Bill Gill Productions and Australian Film School worked on a film version of Lasseter's Last Ride.
Two songs are titled "Lasseter's Last Ride"; the first by Peter Dawson and Edward Harrington and performed by Peter Dawson May ,  and the second by Dean Thomas September Luke Walker 's documentary feature Lasseter's Bones explores the life and legend of Lasseter and documents the filmmaker's many attempts to locate the notorious Lasseter's Reef.
In January , an episode of Expedition Unknown on the American Travel Channel , titled "Lasseter's Gold", examined the mystery.
From Wikipedia, the free encyclopedia. General Lasseter, Harold Bell Lasseter's diary. Australian Dictionary of Biography.
National Centre of Biography, Australian National University. Retrieved 3 November North Melbourne, Vic : Pluto Press. Ruth Bowers. Lois Fletcher.
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Services LEARN MORE. In time, he'll make a fine contribution. Musicana was never released but eventually led to the development of Fantasia However, Lasseter soon realized something was missing: after Dalmatians , which in his opinion was the film where Disney had reached its highest plateau, the studio had lost momentum and was criticized for often repeating itself without adding any new ideas or innovations.
Up to that time, the studio had used a multiplane camera to add depth to its animation. Lasseter realized that computers could be used to make films with three-dimensional backgrounds where traditionally animated characters could interact to add a new level of visually stunning depth that had not been possible before.
He knew adding dimension to animation had been a longtime dream of animators, going back to Walt Disney himself. Later, he and Glen Keane talked about how great it would be to make an animated feature where the background was computer animated, and then showed Keane the book The Brave Little Toaster by Thomas Disch , which he thought would be a good candidate for the film.
Keane agreed, but first, they decided to do a short test film to see how it worked out and chose Where the Wild Things Are , a decision based on the fact that Disney had considered producing a feature based on the works of Maurice Sendak.
Satisfied with the result, Lasseter, Keane and executive Thomas L. Wilhite went on with the project, especially Lasseter who dedicated himself to it, while Keane eventually went on to work with The Great Mouse Detective.
Lasseter and his colleagues unknowingly stepped on some of their direct superiors' toes by circumventing them in their enthusiasm to get the Where the Wild Things Are project into motion.
The project was canceled while being pitched to two of Lasseter's supervisors, animation administrator Ed Hansen, and head of Disney studios, Ron W.
Miller , due to lack of perceived cost benefits for the mix of traditional and computer animation. As Lasseter recalled, Hansen told him, "Well, John, your project is now complete, so your employment with the Disney Studios is now terminated.
While putting together a crew for the planned feature, Lasseter had made some contacts in the computer industry, among them Alvy Ray Smith and Ed Catmull at Lucasfilm Computer Graphics Group.
After being fired, and feeling glum knowing his employment with Disney was to end shortly,  : 40 Lasseter visited a computer graphics conference in November at the Queen Mary in Long Beach , where he met and talked to Catmull again.
Catmull later telephoned Smith that day and mentioned that Lasseter was not working at Disney. Smith told Catmull to put down the phone and hire Lasseter right now.
Because Catmull was not allowed to hire animators, he was given the title "Interface Designer";   "Nobody knew what that was but they didn't question it in budget meetings".
His original idea had been to create only the backgrounds on computers, but in the final short everything was computer animated, including the characters.
After the short CGI film was presented at SIGGRAPH in the summer of , Lasseter returned to Los Angeles with the hope of directing The Brave Little Toaster at Hyperion Pictures.
Due to George Lucas 's financially crippling divorce, he was forced to sell off Lucasfilm Computer Graphics, by this time renamed the Pixar Graphics Group, founded by Smith and Catmull, with Lasseter as one of the founding employees.
Over the next 10 years, Pixar evolved from a computer company that did animation work on the side into an animation studio. As well as Toy Story , he also personally directed A Bug's Life , Toy Story 2 , Cars , and Cars 2 He has won two Academy Awards , for Animated Short Film Tin Toy , as well as a Special Achievement Award Toy Story.
Disney announced that it would be purchasing Pixar in January , and Lasseter was named the chief creative officer of both Pixar and Walt Disney Feature Animation, the latter of which he renamed Walt Disney Animation Studios.
He oversaw all of Walt Disney Animation Studios' films and associated projects as executive producer. He reported directly to Disney Chairman and CEO Bob Iger , bypassing Disney's studio and theme park executives.
He also received green-light power on films with Roy E. Disney 's consent. In December , Lasseter announced that Disney Animation would start producing animated shorts — 2D, CGI, or a combination of both — that would be released theatrically.
Lasseter said he sees this medium as an excellent way to train and discover new talent in the company as well as a testing ground for new techniques and ideas.
In June , Catmull and Lasseter were given control of Disneytoon Studios , a division of Walt Disney Animation Studios housed in a separate facility in Glendale.
As president and chief creative officer, respectively, they have supervised three separate studios for Disney, each with its own production pipeline: Pixar, Disney Animation, and Disneytoon.
While Disney Animation and Disneytoon are located in the Los Angeles area, Pixar is located over miles kilometers northwest in the Bay Area, where Catmull and Lasseter both live.
Accordingly, they appointed a general manager for each studio to manage day-to-day business affairs, then established a routine of spending at least two days per week usually Tuesdays and Wednesdays in Southern California.
Lasseter is a close friend and admirer of Japanese animator Hayao Miyazaki , whom he first met when TMS Entertainment sent a delegation of animators to the Disney studio in and showed a clip from Miyazaki's first feature film, The Castle of Cagliostro Lasseter is a member of the Academy of Motion Picture Arts and Sciences and served nine consecutive years on its board of governors from to when he had to relinquish his seat due to term limits.
Lasseter received a star on the Hollywood Walk of Fame in Hollywood in , located at Hollywood Boulevard.
In November , Lasseter took a six-month leave of absence after acknowledging allegations of workplace sexual misconduct that he described as "missteps" with employees in a memo to staff.
In June , Disney announced that Lasseter was leaving the company at the end of the year, taking a consulting role until then. On January 9, , Lasseter was hired to head Skydance Animation , which will produce animated films with Paramount Animation and Ilion Animation Studios.
It has been humbling, but I believe it will make me a better leader. During a meeting at Skydance that same month, Lasseter expressed regret over his actions at Disney and Pixar.
Lasseter said that ,"[he] will continue to work every day for the rest of [his] life to prove [ Lasseter lives in Glen Ellen, California with his wife Nancy, a graduate of Carnegie Mellon University , whom he met at a computer graphics conference in San Francisco in The Lasseters own Lasseter Family Winery in Glen Ellen, California.
On May 2, , Lasseter received an honorary doctorate from Pepperdine University ,  where he delivered the commencement address.
By the time of his exit from Disney and Pixar, Lasseter began working with a coach and therapist for unconscious bias training.
His influences include Walt Disney , Chuck Jones , Frank Capra , Hayao Miyazaki , and Preston Sturges. From Wikipedia, the free encyclopedia.
American animator, film director, screenwriter, producer, and voice actor. Nancy Lasseter. See also: Weinstein effect.
Disney portal Animation portal Cars portal Trains portal Wine portal. The Guardian. Retrieved May 11, I was doing a lot of amateur 3D photography — in , when I got married to my wife Nancy, we took 3D wedding pictures.
The Hollywood Reporter. Archived from the original on October 27, Retrieved October 27, Bloomberg Businessweek.
Retrieved April 20, Retrieved November 21, Retrieved November 24, The Washington Post. Retrieved June 9, The New Zealand Herald.
Pepperdine University. April The Whittier Daily News. November 1, Retrieved December 15, CNN Money. Moonshine Ink. Retrieved May 8, Financial Times.
Total Film. Los Angeles Times.This place has wonderful atmosphere, a solid menu, and a friendly staff. Name Word. They also have food.